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This Olympic Gold Medal was won by Gretchen Fraser in the 1948 Winter Olympics at St. Moritz, Switzerland in the slalom skiing event. She and her husband Don would call Sun Valley home for many years and she was a mentor to many young racers. Don and Gretchen Fraser Collection, Regional History Museum, F94.01.114.

In Greek with English translation by John Daley with Page duBois, includes 23 wood engravings by Anita Cowles Rearden and 20 prints by Julie Mehretu. 400 numbered copies plus 26 hors de commerce, signed by the artist. Portfolio of four relief prints, “Sapphic Strophes”, three of them hand colored. 40 sets numbered and signed by the artist, 2011.

“Until we’re like clouds that tear like bread but mend like bones…”

Cloud Anthem art from the Two Ponds Press edition of Boundaries, poems and words by Richard Blanco, in the Special Collection.

“Boundaries is a collaborative project between Presidential Inaugural Poet Richard Blanco and contemporary landscape photographer Jacob Bond Hessler. Blanco’s poems and Hessler’s photographs together investigate the visible and invisible boundaries of race, gender, class, and ethnicity, among many others; they challenge the physical, imagined, and psychological dividing lines–both historic and current–that shadow America and perpetuate an us vs. them mindset by inciting irrational fears, hate, and prejudice.

In contrast to the current narrowing definition of an America with very clear-cut boundaries, Blanco and Hessler cross and erase borders. As artists, they tear down barriers to understanding by pushing boundaries and exposing them for what they truly are–fabrications for the sake of manifesting power and oppression pitted against our hopes of indeed becoming a boundary-less nation in a boundary-less world.”

The Joseph Heller book Catch-22 turned 60 in 2021. Some Community Library trivia: Our first edition was read to bits years ago, but the current copy has circulated 46 times in the last 20 years.

Catch-22 remains a cornerstone of American literature and one of the funniest—and most celebrated—books of all time. In recent years it has been named to “best novels” lists by Time, Newsweek, the Modern Library, and the London Observer.

Set in Italy during World War II, this is the story of the incomparable, malingering bombardier, Yossarian, a hero who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy—it is his own army, which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to excuse himself from the perilous missions he’s assigned, he’ll be in violation of Catch-22, a hilariously sinister bureaucratic rule: a man is considered insane if he willingly continues to fly dangerous combat missions, but if he makes a formal request to be removed from duty, he is proven sane and therefore ineligible to be relieved. Source: Goodreads

Find it in print, eaudiobook, and DVD here: Adult Fiction Main, FICTION Heller

“Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom — poets, visionaries — realists of a larger reality. . . .”

Words Are My Matter collects talks, essays, introductions to beloved books, and book reviews by Ursula K. Le Guin, one of our fore- most public literary intellectuals. Words Are My Matter is essential reading. It is a manual for investigating the depth and breadth of con- temporary fiction — and, through the lens of deep considerations of contemporary writing, a way of exploring the world we are all living in.

We need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximise corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.” *

Le Guin is one of those authors and this is another of her moments. She has published more than sixty books ranging from fiction to nonfiction, children’s books to poetry, and has received many lifetime achievement awards including the Library of Congress Living Legends award. This year her publications include three survey collections: The Found and the Lost: The Collected Novellas; The Unreal and the Real: The Selected Short Stories; and The Complete Orsinia: Malafrena, Stories and Songs (Library of America).* From “Freedom” A speech in acceptance of the National Book Foundation Medal for Distinguished Contribution to American Letters.

Find it in print here: NONFICTION Main Coll, 818.54 LEG

Part poignant cancer memoir and part humorous reflection on a motherless life, this debut graphic novel is extraordinarily comforting and engaging.

From before her mother’s first oncology appointment through the stages of her cancer to the funeral, sitting shiva, and afterward, when she must try to make sense of her life as a motherless daughter, Tyler Feder tells her story in this graphic novel that is full of piercing–but also often funny–details.

She shares the important post-death firsts, such as celebrating holidays without her mom, the utter despair of cleaning out her mom’s closet, ending old traditions and starting new ones, and the sting of having the “I’ve got to tell Mom about this” instinct and not being able to act on it. This memoir, bracingly candid and sweetly humorous, is for anyone struggling with loss who just wants someone to get it.

Find in in print here: YA Graphic Novel, YA G FIC FED